Artwork stating 'Education Destroys Barriers', 'We Demand Treatment', and 'I Need A Chance'

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  • It Spied on Soviet Atomic Bombs. Now It's Solving Ecological Mysteries.

    Environmental scientists are using modern computing software to correct, orient, and analyze satellite images from the Corona spy project, launched in the 1960s and ’70s to monitor the Soviet military. The images have revealed human environmental impacts, challenged long-held assumptions, and helped predict future challenges. Within the last two years alone, the images have contributed to new information about climate change including rock glacier movements in Central Asia, shoreline changes in Saudi Arabia, and ice loss in Peru, helping scientists fill in knowledge gaps.

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  • A Mariachi Family

    Springfield High School's mariachi program creates a cultural bridge between generations and offers opportunities for high school students to learn about and share their culture. The school’s Mariachi Del Sol began in 2008 as just the second ethnically diverse music program in the state. Open to any student playing any instrument, it has grown significantly over the years and now offers a beginning and advanced class. The advanced class performs publicly, including an annual gig at Disneyland. The program's popularity led other schools throughout the state to offer mariachi to their students.

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  • 'Where Are The Women?': Uncovering The Lost Works Of Female Renaissance Artists

    Advancing Women Artists (AWA) is a nonprofit foundation that has identified around 2,000 pieces of art by women artists that were forgotten or stored away in Italy’s museums and churches. The organization has financed the restoration of 70 works from the 16th to the 20th centuries. Although women generally couldn’t study or devote themselves to art, some of the artists’ works were known during their times but disappeared from public writings around the 19th century. AWA’s work restoring, documenting, and exhibiting women’s art has contributed to increased interest in and awareness of art by women.

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  • Iranian women's group empowers amid pandemic by making masks

    An organization in Tehran, Iran is helping women "looking for work to make handicrafts" by allowing them to use donated sewing machines as a means of becoming self-sufficient despite high rates of unemployment. When the coronavirus pandemic impacted the market, however, they shifted to making masks. Specific sales figures for the masks aren't available, but participants say they are grateful to be able to learn a new skill for free.

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  • These gardens ask visitors to reconsider solitary confinement

    Solitary Gardens is an art project that protests prisons' solitary confinement conditions. Incarcerated people connect with volunteers on the outside who plant flowers, vegetables, or herbs in beds matching the tiny dimensions of the prison cell that confined Herman Wallace for a record 41 years in Louisiana. The people inside prison imagine their garden, often with memory triggers of what they have lost, and their gardener carries out their plan. The idea is to make a place for grief, healing, public service, and public education, as the gardens in four cities teach about solitary confinement.

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  • How A 24-Year-Old CEO Makes Sustainable Tees from Milk

    After witnessing milk going to waste on his uncle dairy’s farm in China, Robert Lou came up with the idea to turn the leftover milk into clothing. It takes five glasses of milk to produce one t-shirt and he’s sold over 3,000 of them since launching his company Mi Terro. He hopes to use 15 percent of the world’s food waste in 20 years to lower greenhouse gas emissions and supply income to farmers. He’s also piloting a new flexible packaging material out of grain products.

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  • Coat as shelter: Designer Bas Timmer creates for people who have no home

    Since 2014, the Sheltersuit Foundation has distributed more than 12,000 combination jackets and sleeping bags in multiple nations to protect unhoused people from cold weather. Dutch clothing designer Bas Timmer designed the Sheltersuit, and a warmer-weather version, using donated leftover fabrics with liners from sleeping bags donated or discarded at festivals. Since the pandemic increased homelessness, the foundation has distributed the clothing to nearly 2,000 people in the Netherlands and South Africa. The foundation's workforce is made up mostly of refugees and the formerly homeless.

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  • Year of racial awakening may topple Richmond's last Confederate statue

    Richmond’s Robert E. Lee statue has become an example of American protest art as protesters have covered it in graffiti demanding racial justice and surrounded it with basketball hoops, gardens, tents, lawn chairs, and a grill for community gatherings. The site has become a symbol, a place of local pilgrimage, to collectively create a public space of belonging and protest racial injustices and systemic racism. The Lee statue is likely to be taken down soon, as all other confederate statues on "monument row" have been, because a judge recently struck down the legal challenges to the state’s plan to remove it.

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  • Female climate activists using Instagram to fight for Earth's future

    A growing number of climate activists — mostly young women — are using social media to post about sustainability and encourage others to live a greener lifestyle. While climate activism can be a slow process, people are using Instagram to help make climate change feel more personal and energize followers to advocate for action at the local and national level.

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  • Richmond art studio helps people with disabilities stay connected

    Nurturing Independence through Artistic Development provides classes and studio space for artists with disabilities. Due to the coronavirus pandemic, the organization now offers six hours of daily virtual services to the 67 artists it serves, including sculpting, drawing, ceramics, and fashion making classes. Social activities, like bingo, cooking, meditation, and movement classes, are also offered online. The programming keeps the artists connected during the isolation of the pandemic and staff regularly text and call the artists who opt out of the virtual programming to maintain that connection.

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